Cultural
routes of sport l Andalusia:
the microphone poetry
Bobby
Deglané: A sports creator's evocation
Jesús
Castañón Rodríguez
Spanish
version
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Profile
Roberto Deglané (Iquique, Chile,
1905-Madrid, 1983) studied A level in Chile and was trained
in New York, in the University of Columbia and in the Floyd
Gibbons Academy where he specialized as a sports commentator.
His career was developed in Chile in La Hora newspaper,
Interviú magazine and Radio Minería, in Argentine
in Río Rivadavia, in Brazil in radio stations from
Río de Janeiro and in Spain, in the Fotos and Marca
weekly magazines, in the Cadena SER radio stations, Radio
España and Red de Emisoras del Movimiento and in
the Televisión Española channel.
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In
2005, the centenary of Bobby Deglané's birth was held,
he is one of the most outstanding figures of the Latin-American
communication in the 20th century.
This
adventurous Chilean was an extrovert and talkative man, who played
amateur boxing and, like so many people at this time, had to face
the life blows in order not to yield when hopes grow weak and
become dispirited. He was also an aviation and horseback riding
lover and very keen on fighting the bull on horseback with the
lance ("rejoneo" in Spanish), his life adventure was
developed in a multiple play court till he became a master of
the radio on the grand scale: Argentine, Brazil, Chile, Spain
and the United States.
Sports
in America
His sports labour started in New York, a city where he combines
his journalism studies in the University of Columbia and the attendance
at the Floyd Gibbons Academy, creator of the universal dynamic
radio, with the admiration for the working style of the journalists
from the Herald Tribune, to whom he observed in his free time
resting in a hotel.
He
graduated in the university and became the number one in the radio
school. He specialized as sports commentator to link his career
to the Chilean radio station Radio Minería, also to link
it to the Argentine Radio Rivadavia to tell boxing and American
free-style wrestling transmission with a peculiar style which
described blow by blow and finally to link this career to the
radio station from Río de Janeiro (Brazil) to relate motor
races.
Sports
in Spain
In 1934, he was taken on by the Circo Price in Barcelona to commentate
on basketball, boxing and American free-style wrestling, and a
year later, he was moved to the Circo Price in Madrid and Radio
Madrid to comment on boxing and American free-style wrestling
contests and fights three times per week with a previous talk
where he practises as "speaker". Activity where he appears
quoted in the memories of the Nobel Prize of Literature Pablo
Neruda.
After
the Civil War, his new labour appears, the one as creator of new
written and radio press products. He fits new structures based
on programming, production and broadcast thanks to ideas executed
precisely by working groups.
And
for the new audience of sport, he promoted an audio and written
journalistic style based on friendliness, kindness and proximity
to look for the listener or reader's comfort and well-being. He
combined the advertising promotion with the sports information,
he vocalized "injecting" the phrase into the ear, he
exalted the expressive intonation in the play narration and he
encouraged the use of lexical Latin-American words against neologisms.
That
is, he shaped a popular style which broke with the still, political,
cultural and literary gathering language which predominated between
the wealthy owners of radio sets and the high cultural level of
the press readers in that time.
In
written press, he took part in San Sebastián as an editor
in the foundation of the "Marca" weekly magazine in
1938, together with Manuel Fernández-Cuesta (senior editor),
César García Agosti (chief editor), Adolfo Pucheo,
Máximo Ramos and Pedro Sardina. And he carried out information
based on a dynamic graphic journalism and the memory of the great
sports events till in 1939 competition started again. All this
in an environment where the editorial staff was in a flat in San
Sebastián and the printing was carried out in a house with
painted papers for the wall, in Bilbao.
In
radio, he started the "Carrusel Deportivo" project for
the Cadena Ser, the native of Alicante Gaspar Tato Cuming carried
out as first senior editor of an editorial staff team made up
of five people. Cuming was a writer, journalist, director of several
radio stations in Colombia and Argentina and received the Ondas
Award in 1957.
And
in his star programme "Cabalgata fin de semana", there
were sports pages related to the pools presented by José
Luis Pécker, with the current affairs, and the comments
of Gil de la Vega "Gilera" in "Revista deportiva"
or the humour of "Auténticas entrevistas falsas"
Oberón created and Tip y Top played.
The
irony was a tool to attained total truth, read between the lines
and discover the true reality that there may be after the appearances
of institutions, people, situations and circumstances.
Un
paseo por Sevilla
In
Seville, city where the commentator's mother was born, Bobby Deglané
gives name to a street since 1984 in the Magdalena sector, near
Radio Sevilla.
The
stroll along this pedestrian precinct evokes the pioneer's memory
of the sports communication in America and Spain in the 20th century.
Among orange trees, his constant emigration is always present,
the creation of all kinds of sports products successfully, the
discovery of new stars like Antolín García or José
María García, the repercussions of his precise descriptive
style and at full speed which are present in the José Mallorquí's
sports novels and even his participation in the film "Campeones"
("Champions") together with the journalist Carlos Fuentes
Peralba and the football stars Gorostiza, Quincoces and Ricardo
Zamora.

Bibliographical
references
ARIAS RUIZ, Aníbal: Cincuenta años de radiodifusión
en España. Madrid: Radio Televisión Española,
1973.
CASTAÑÓN RODRÍGUEZ, Jesús: El lenguaje
periodístico del fútbol. Valladolid: Universidad
de Valladolid, 1993.
- Reflexiones lingüísticas sobre el deporte. Valladolid,
1995.
DÍAZ, Lorenzo: La radio en España, 1923-1993. Madrid:
Alianza Editorial, 1993.
EZCURRA, Luis: Historia de la radiodifusión española.
Madrid: Editora Nacional, 1974.
GÓMEZ SANTOS, Marino: Pequeñas historias de grandes
personajes: Bobby Deglané. Barcelona: Cliper, 1958.
MARCO, Vicente: Historias de la radio. Madrid: Pentatlón,
1981.
MARTÍN FERNÁNDEZ, Alberto, "Juan Deportista":
"Apuntes para una biografía de Manolo", Marca
Suplemento Gráfico Nacional de los Deportes número
149, Madrid, 1945.
MUNSÓ CABÚS, Juan: Cuarenta años de radio
(1940-1980). Barcelona: Picazo, 1980.
NERUDA, Pablo: Confieso que he vivido. Barcelona: Plaza &
Janés, 1997.
NIETO, Miguel Ángel: Bobby Deglané, el arquitecto
de la radio española. Madrid: Ediciones B, 2005.
OBERÓN: Auténticas entrevistas falsas: el humor
y el deporte en Cabalgata Fin de Semana. Madrid: Alambra, 1953.
PÉCKER, José Luis: "Prólogo", en
NIETO, Miguel Ángel: Bobby Deglané, el arquitecto
de la radio española. Madrid: Ediciones B, 2005, págs.
13-19.

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CASTAÑÓN
RODRÍGUEZ, Jesús: Bobby Deglané:
evocación de un creador deportivo. Idioma y
deporte [en línea]. 15 de noviembre de 2006, número
78. [Consultada: 15 de noviembre de 2006]. Disponible en
Internet: <http://www.idiomaydeporte.com/deglane.htm>
ISSN: 1578-7281.
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