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Cultural routes of sport l Andalusia: the microphone poetry

Bobby Deglané: A sports creator's evocation

Jesús Castañón Rodríguez

Spanish version

Profile
Roberto Deglané (Iquique, Chile, 1905-Madrid, 1983) studied A level in Chile and was trained in New York, in the University of Columbia and in the Floyd Gibbons Academy where he specialized as a sports commentator.
His career was developed in Chile in La Hora newspaper, Interviú magazine and Radio Minería, in Argentine in Río Rivadavia, in Brazil in radio stations from Río de Janeiro and in Spain, in the Fotos and Marca weekly magazines, in the Cadena SER radio stations, Radio España and Red de Emisoras del Movimiento and in the Televisión Española channel.

In 2005, the centenary of Bobby Deglané's birth was held, he is one of the most outstanding figures of the Latin-American communication in the 20th century.

This adventurous Chilean was an extrovert and talkative man, who played amateur boxing and, like so many people at this time, had to face the life blows in order not to yield when hopes grow weak and become dispirited. He was also an aviation and horseback riding lover and very keen on fighting the bull on horseback with the lance ("rejoneo" in Spanish), his life adventure was developed in a multiple play court till he became a master of the radio on the grand scale: Argentine, Brazil, Chile, Spain and the United States.

Sports in America
His sports labour started in New York, a city where he combines his journalism studies in the University of Columbia and the attendance at the Floyd Gibbons Academy, creator of the universal dynamic radio, with the admiration for the working style of the journalists from the Herald Tribune, to whom he observed in his free time resting in a hotel.

He graduated in the university and became the number one in the radio school. He specialized as sports commentator to link his career to the Chilean radio station Radio Minería, also to link it to the Argentine Radio Rivadavia to tell boxing and American free-style wrestling transmission with a peculiar style which described blow by blow and finally to link this career to the radio station from Río de Janeiro (Brazil) to relate motor races.

Sports in Spain
In 1934, he was taken on by the Circo Price in Barcelona to commentate on basketball, boxing and American free-style wrestling, and a year later, he was moved to the Circo Price in Madrid and Radio Madrid to comment on boxing and American free-style wrestling contests and fights three times per week with a previous talk where he practises as "speaker". Activity where he appears quoted in the memories of the Nobel Prize of Literature Pablo Neruda.

After the Civil War, his new labour appears, the one as creator of new written and radio press products. He fits new structures based on programming, production and broadcast thanks to ideas executed precisely by working groups.

And for the new audience of sport, he promoted an audio and written journalistic style based on friendliness, kindness and proximity to look for the listener or reader's comfort and well-being. He combined the advertising promotion with the sports information, he vocalized "injecting" the phrase into the ear, he exalted the expressive intonation in the play narration and he encouraged the use of lexical Latin-American words against neologisms.

That is, he shaped a popular style which broke with the still, political, cultural and literary gathering language which predominated between the wealthy owners of radio sets and the high cultural level of the press readers in that time.

In written press, he took part in San Sebastián as an editor in the foundation of the "Marca" weekly magazine in 1938, together with Manuel Fernández-Cuesta (senior editor), César García Agosti (chief editor), Adolfo Pucheo, Máximo Ramos and Pedro Sardina. And he carried out information based on a dynamic graphic journalism and the memory of the great sports events till in 1939 competition started again. All this in an environment where the editorial staff was in a flat in San Sebastián and the printing was carried out in a house with painted papers for the wall, in Bilbao.

In radio, he started the "Carrusel Deportivo" project for the Cadena Ser, the native of Alicante Gaspar Tato Cuming carried out as first senior editor of an editorial staff team made up of five people. Cuming was a writer, journalist, director of several radio stations in Colombia and Argentina and received the Ondas Award in 1957.

And in his star programme "Cabalgata fin de semana", there were sports pages related to the pools presented by José Luis Pécker, with the current affairs, and the comments of Gil de la Vega "Gilera" in "Revista deportiva" or the humour of "Auténticas entrevistas falsas" Oberón created and Tip y Top played.

The irony was a tool to attained total truth, read between the lines and discover the true reality that there may be after the appearances of institutions, people, situations and circumstances.

Un paseo por Sevilla
In Seville, city where the commentator's mother was born, Bobby Deglané gives name to a street since 1984 in the Magdalena sector, near Radio Sevilla.

The stroll along this pedestrian precinct evokes the pioneer's memory of the sports communication in America and Spain in the 20th century. Among orange trees, his constant emigration is always present, the creation of all kinds of sports products successfully, the discovery of new stars like Antolín García or José María García, the repercussions of his precise descriptive style and at full speed which are present in the José Mallorquí's sports novels and even his participation in the film "Campeones" ("Champions") together with the journalist Carlos Fuentes Peralba and the football stars Gorostiza, Quincoces and Ricardo Zamora.

Bibliographical references
ARIAS RUIZ, Aníbal: Cincuenta años de radiodifusión en España. Madrid: Radio Televisión Española, 1973.
CASTAÑÓN RODRÍGUEZ, Jesús: El lenguaje periodístico del fútbol. Valladolid: Universidad de Valladolid, 1993.
- Reflexiones lingüísticas sobre el deporte. Valladolid, 1995.
DÍAZ, Lorenzo: La radio en España, 1923-1993. Madrid: Alianza Editorial, 1993.
EZCURRA, Luis: Historia de la radiodifusión española. Madrid: Editora Nacional, 1974.
GÓMEZ SANTOS, Marino: Pequeñas historias de grandes personajes: Bobby Deglané. Barcelona: Cliper, 1958.
MARCO, Vicente: Historias de la radio. Madrid: Pentatlón, 1981.
MARTÍN FERNÁNDEZ, Alberto, "Juan Deportista": "Apuntes para una biografía de Manolo", Marca Suplemento Gráfico Nacional de los Deportes número 149, Madrid, 1945.
MUNSÓ CABÚS, Juan: Cuarenta años de radio (1940-1980). Barcelona: Picazo, 1980.
NERUDA, Pablo: Confieso que he vivido. Barcelona: Plaza & Janés, 1997.
NIETO, Miguel Ángel: Bobby Deglané, el arquitecto de la radio española. Madrid: Ediciones B, 2005.
OBERÓN: Auténticas entrevistas falsas: el humor y el deporte en Cabalgata Fin de Semana. Madrid: Alambra, 1953.
PÉCKER, José Luis: "Prólogo", en NIETO, Miguel Ángel: Bobby Deglané, el arquitecto de la radio española. Madrid: Ediciones B, 2005, págs. 13-19.

Cómo se cita este artículo

CASTAÑÓN RODRÍGUEZ, Jesús: “Bobby Deglané: evocación de un creador deportivo”. Idioma y deporte [en línea]. 15 de noviembre de 2006, número 78. [Consultada: 15 de noviembre de 2006]. Disponible en Internet: <http://www.idiomaydeporte.com/deglane.htm>
ISSN: 1578-7281.

Copyright © Desde 1999 hasta la actualidad, Jesús Castańón Rodríguez. Reservados todos los derechos. Aviso.